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matter of everyday experience is closely akin to the paradox in artistic creation of which I now speak. Browning, who saw woman so clearly as a creature with her definite .

of the way they cooped Us peasantry up in a ring just here, close huddling because tight-hooped By the red-coats round us villagers all: they meant we should see the sigh .

nt for the open market. The poems in which Browning has spoken without the disguise of another character are very few. There are hardly more than two or three of much imp .

ll, but the bulk of the larger articles were sold without sentiment or feeling. It was a pang to part with each one of them, as they were carried off to some strange or h .

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ern poet thought when he said that "We ourselves are Heaven and Hell." . . . Innocent but not ignorant, patient, yet capable of a hearty little grumble at her lot, Pippa .

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iness being just the terrible choice."[B] [Footnote B: _The Ring and the Book--The Pope_, 1235-1238.] In all the greater characters of _The Ring and the Book_, this inten .

epented that he had not answered more graciously: for afterwards, looking back, he perceived that, in some way, the Pageant had actually helped to bring back a sense of " .

he universe, That beauty in which all things work and move," was an impassioned sentiment, a glorious intoxication; to Browning it was a conviction, reasoned and willed, .

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er. Florence and her mother had already vanished inside the house. Kitty had to submit to her fate. Helen Dartmoor walked with prim, small steps. She had a little three-c .

, once descried, imprints for ever His presence on all lifeless things."[D] [Footnote D: _Ibid_.] The self-consciousness of man is the point where "all the scattered rays .

or not, he cannot but regard the universe of men and objects as the instrument of his purposes. He extracts all its interest and meaning from himself. His own shadow fall breitling replica usa retailers taste of this and that, and under the easy rule of Miss Mary, the remnants of his desert were transferred to his pockets, to serve to regale him at some future moment. I .

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to the matter and very agreeable in style. He hits off well, for example, the difference between "musical expression" and imitation. "As dissonances and shocking sounds .

t stern defiance. Mythology and magic belong to "_limbus fatuorum_" If fools believe them, we scientists deplore 'em But, nevertheless, the immortal can't be lost, For ev .

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for doing things like climbing trees after pet monkeys," was the answer. The boy started to laugh, but he did not get very far with it. "You don't owe me anything. And n .

o in the pony sled," agreed Mart. "And we can stop at Mr. Winkler's and ask Mr. Treadwell, if he's at home, if he wants us to come to rehearsal to-night." Soon Bunny, Sue .

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